Reviews

Not Every Kid-Bond Matures

Not Every Kid-Bond Matures

Millennial habits so often mocked and belittled in the press are the survival strategies of a demographic “born into captivity.”

The summation Kids These Days gives us is harrowing: here is a generation hurrying to give in to the unremitting, unforgiving commodification of the self. Malcolm Harris predicts a future of debt servitude, confinement for the “malfunctioning,” worsening misogyny (though his gender analysis is less coherent than the rest of his argument), and total surveillance. Millennials, that is, are the first generation to live in the dystopia to come.

Sad and Boujee

Sad and Boujee

The radical and perpetually unpredictable voice of Percival Everett

Neglect is a fate all experimental writers risk, but if they happen to be black it can seem almost impossible to avoid. Everett always intended to chart his own course. He picked the novel up where Ishmael Reed had taken it, but pivoted away from Reed’s zaniness toward a prismatic allegorical realism, a constant reinvention of form designed to grapple with the vertiginous ends of America’s violent and often contradictory racial, economic, geographic, and sexual epistemologies—a project consonant in many ways with Wallace’s—but evidently not one that could generate the same kind of popular appeal.

Relating to or Resembling a Peacock

Relating to or Resembling a Peacock

Recent and not-so-recent music

There is perhaps no working musician in whose case the asymmetry between critical accolades and actual musical content is so steep and acute, and so misleading. Stephin Merritt’s music is flat, gray, unmemorable, and “melodic” only in most contrived sense; his melodies seem to scream “I am writing a song in a usually disposable medium that is usually meant for mere entertainment but I am smart and special and this is meant to be real art.”

Rise of the Machines

Rise of the Machines

On the Fast and the Furious movies

Every film franchise is a testament to growth and conquest. In the case of the Marvel movies, that growth is exponential and expanding: movies beget more movies, more spinoffs, more series that emerge from spinoffs. What sets the Fast and the Furious series apart from franchises like this—at least for now—is its habit of folding all that hot-media-property energy back into itself, making the movies all the more strange and intense.

Monstrous, Duplicated, Potent

Monstrous, Duplicated, Potent

On Donna Haraway

By the end of the book, we’ve learned all manner of detail about the Acacia tree genus, made up of fifteen hundred species, living in climates ranging from desert to tropics and found in ice cream, beer, and postage stamps. We learn about the Pimoa chthulu spider, Haraway’s neighbor in the North Central California redwoods and another inspiration for the Chthulucene. We learn about the history of Premarin estrogen tablets, made out of horse urine, and their effects on both midcentury reproductive politics and Cayenne Pepper’s bladder.

One Word: Authenticity!

One Word: Authenticity!

Oscars 2017

The post-classic French musicals that do away with singers and dancers (A Woman Is a Woman) or emphasize melancholy and failed romance against a backdrop of societal drabness (The Umbrellas of Cherbourg) serve as models for La La Land. Their use seems academic, befitting a director running for Student Council President of the Movies.

Contemplating Customs Forms and Hotel Service

Contemplating Customs Forms and Hotel Service

Andrés Neuman has written a guide to the literature of an entire continent in the guise of a travelogue.

“Our generation,” recounts Hans, the protagonist of Traveler of the Century, “was a borderline, we were the last to study before Metternich’s repression began, but we were also the first to lose faith in the Revolution.” Though Neuman himself is too young for this description to be a tidy analogy for him and his peers, it nicely sums up the position of his predecessors in Bolaño’s generation. Where the writers of the Boom had the example of the Cuban Revolution to give them hope, no comparably utopian project was available by the time their followers came of age.

Primal Forces

Primal Forces

Jane Jacobs cast her campaigns for urban justice as bids to restore an underlying common sense, not as transformations of the social order.

You might call Jacobs a Democratic Schumpeterian. Though she believed in the dynamism of markets and their propensity to push new, innovative work to grow, she wanted to stoke the egalitarian possibilities of this process within a society that favored established interests.

Night’s Nirvana

Night’s Nirvana

On Norwegian Black Metal

A lot of the posed photos are about what you would expect: pig heads set on fire, shrouded band members looming in churchyards at night, or wielding chainsaws, or covered in prop blood. It’s either extremely silly, or very morbid and unholy, depending strongly on whether you also are a teenage boy.

Something That Might Be Happening to Me Now

Something That Might Be Happening to Me Now

It’s a strange thing to read about women ending pregnancies when you’re squarely in the middle of one.

This way of looking at the past tricks us into thinking the problem of human life is simpler than it is. It makes grotesque pain seem like the product not of individual or general cruelty, or the difficulty of being housed in a body, but of too little social awareness, of not enough light shone on secret lives.

Ways of Staying Home

Ways of Staying Home

At its best, Facsímil has the air of something written quickly and playfully in the heat of a second try.

Facsímil reveals—more clearly than Alejandro Zambra’s earlier work—that the self-conscious writer of metafiction needn’t shy away from history and the polity. The inward and the outward gazes can coexist.

Doing Philosophy Better

Doing Philosophy Better

Human depth isn’t Square Wave’s focus at all: people are present in the novel to direct us toward meaningfully original orchestrations.

Mark de Silva’s debut novel Square Wave uses fiction as a space to foreground philosophy. The result is a novel that can be maddening in its refusal to gratify through plot, character, or even theme, focusing instead on corresponding shapes of thought and social organization.

Assassinate the Bird

Assassinate the Bird

On Jean-Marie Straub and Danièle Huillet

Anecdotes swirl around Straub and Huillet. On set, they preferred phrases like “please” and “thank you” to “action” and “cut.” They considered over-dubbed sound, studio sets, and illusionistic cuts phony and cheap, but they praised filmmakers—including Chaplin, Mizoguchi, and John Ford—who used those devices particularly cannily. According to the filmmaker and critic John Gianvito, Straub once proclaimed that most films were “made to keep [the masses] in their place, to violate them, or to fascinate them,” and boasted that his and Huillet’s own movies “give people the liberty to get up and leave.”

Straight to Hell

Straight to Hell

On Boyd McDonald

The zine had a recurring string of subtitles — including “The Manhattan Review of Unnatural Acts” and “The New York Review of Cocksucking” — and taglines like “The Paper That Made New York Famous” and “Always coarse, never common.” Each contributor letter had a tabloid-style headline: “10 Hawaiian Dongs Unload on Tourist,” “Adultery in the Men’s Room,” “Mechanic’s Asshole Is Clean; Has Fragrance of Gasoline.” Sardonic commentary on the straight world and straight press was scattered throughout; McDonald liked to run errors he found in the New York Times, which he considered his main competitor.

Not Every Kid-Bond Matures

Not Every Kid-Bond Matures

Millennial habits so often mocked and belittled in the press are the survival strategies of a demographic “born into captivity.”

The summation Kids These Days gives us is harrowing: here is a generation hurrying to give in to the unremitting, unforgiving commodification of the self. Malcolm Harris predicts a future of debt servitude, confinement for the “malfunctioning,” worsening misogyny (though his gender analysis is less coherent than the rest of his argument), and total surveillance. Millennials, that is, are the first generation to live in the dystopia to come.

Sad and Boujee

Sad and Boujee

The radical and perpetually unpredictable voice of Percival Everett

Neglect is a fate all experimental writers risk, but if they happen to be black it can seem almost impossible to avoid. Everett always intended to chart his own course. He picked the novel up where Ishmael Reed had taken it, but pivoted away from Reed’s zaniness toward a prismatic allegorical realism, a constant reinvention of form designed to grapple with the vertiginous ends of America’s violent and often contradictory racial, economic, geographic, and sexual epistemologies—a project consonant in many ways with Wallace’s—but evidently not one that could generate the same kind of popular appeal.

Relating to or Resembling a Peacock

Relating to or Resembling a Peacock

Recent and not-so-recent music

There is perhaps no working musician in whose case the asymmetry between critical accolades and actual musical content is so steep and acute, and so misleading. Stephin Merritt’s music is flat, gray, unmemorable, and “melodic” only in most contrived sense; his melodies seem to scream “I am writing a song in a usually disposable medium that is usually meant for mere entertainment but I am smart and special and this is meant to be real art.”

Rise of the Machines

Rise of the Machines

On the Fast and the Furious movies

Every film franchise is a testament to growth and conquest. In the case of the Marvel movies, that growth is exponential and expanding: movies beget more movies, more spinoffs, more series that emerge from spinoffs. What sets the Fast and the Furious series apart from franchises like this—at least for now—is its habit of folding all that hot-media-property energy back into itself, making the movies all the more strange and intense.

Monstrous, Duplicated, Potent

Monstrous, Duplicated, Potent

On Donna Haraway

By the end of the book, we’ve learned all manner of detail about the Acacia tree genus, made up of fifteen hundred species, living in climates ranging from desert to tropics and found in ice cream, beer, and postage stamps. We learn about the Pimoa chthulu spider, Haraway’s neighbor in the North Central California redwoods and another inspiration for the Chthulucene. We learn about the history of Premarin estrogen tablets, made out of horse urine, and their effects on both midcentury reproductive politics and Cayenne Pepper’s bladder.