Our new group joined around a hundred people who stood on the grass and the sidewalk in front of the courthouse. A counter-protest formed on the sidewalk across the street—they numbered around ten, all men, all white, some with assault rifles strapped across their chests. Together they held one sign, a large piece of cardboard with Sharpie letters that read ALL LIVES MATTER FCK SOROS AND ANTEFA [sic]. It was mostly silent—a modern-day Western standoff, with two opposing factions staring each other down and a man in a MAGA hat on horseback circling both groups.

We cannot police our way out of authoritarianism. An increasingly authoritarian police state in the hands of the “right” bourgeois elites will not suppress the far right; it will instead train a new generation of far-right foot soldiers and target, disorganize, and destroy fascism’s most dogged opponents among the far left.

Every way we’re photographing Black men, and women, and children, whoever, needs to be humanizing. Photography has always dehumanized African and other African-descendent people. Early photographers documented slaves, so if they ran away, you’d have a photograph to know what your slave looked like. That’s the history, and as photographers now we have a duty to show Black life in a positive light. If we take that humanity away, we’re back at the beginning.

Abolition—the notion that prisons and policing are directly linked to slavery and thus antithetical to human liberation—is not new, but it is to some people. That is lamentable, and not unrelated to the challenges associated with social transformation, but it is not avoidable. We need to prepare the ground, look for nascent and emerging practices and nourish them.