Poetry

Introduction

Introduction

Poetry after Brodsky

What these poets have in common is a desire to address contemporary Russian realities, and to occupy, through the medium of poetry, a position that has been both the glory and the curse of Russian poetry for the past two hundred years. That is, to be something more than poets.

The Piazza and the Parking Lot

The Piazza and the Parking Lot

Arvind Krishna Mehrotra and literary activism

In this business of recollecting the world before the free market, before globalization, voluntary memory misleads, and the flicker of involuntary memory throws up, as ever, an array of fragments and sensations, but doesn’t, in itself, instruct us in the ethics of the vanished order, an ethics we have critiqued but whose proximity we no longer sense. So it is almost impossible now to remember—as it was impossible then to predict the fall of the Berlin Wall and the advent of President Obama—that poetry was the literary genre to which the greatest prestige accrued until the mid-’80s.

Introduction

Introduction

Poetry after Brodsky

What these poets have in common is a desire to address contemporary Russian realities, and to occupy, through the medium of poetry, a position that has been both the glory and the curse of Russian poetry for the past two hundred years. That is, to be something more than poets.