July 22, 2021
A discussion about Wayward
July 22, 2021
A discussion about Wayward
July 2, 2021
The dream of strength and youth
One way to think about the viral explainers of the viral photo is that their function was almost pharmacological. A rapidly disseminated image that leads to spinning heads requires a dose of fast-acting cultural Dramamine. Speed is key. With the internet producing the weird stories, and grabbing all the ads that go with them, traditional media has been forced to move to the higher ground of analysis, but that was never journalism’s forte. So, somewhere between newsfeed dazzle and the insight that comes later (if at all), explanation became a familiar part of the information age news cycle. Sometimes, it’s enough.
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June 12, 2021
What kind of urban green spaces do people want, after their long winter?
June 11, 2021
For the first time in its life, the building exists as a piece of architecture
We’d both separately become fascinated with what we called “ephemeral views,” the opening one gets when a building has been demolished, usually preparatory to the erection of something larger and more looming. These rents in the grid exposed wonders: the back gardens and solaria of brownstone residences ordinarily shielded from street view, the rear buttresses and stained-glass nave of a midtown cathedral, old advertisements painted onto brick walls, a pyramidal shadow cast on a windowless blank wall, a sudden deepening of perspective.
June 5, 2021
Extreme disparity here acts as a unifying foundation
May 6, 2021
Gabriel Winant in conversation with Nikil Saval, Summer Lee, Lisa Frank, and Nila Payton
April 2, 2021
On Sophie Calle
In France, Sophie Calle—at least in bourgeois-intellectual, Paris-centric circles—is more or less a household name. Yet, as is the fate of most blockbuster artists, her oeuvre is often flattened into the exaggerated silhouettes of a cartoon.
March 29, 2021
Christine Smallwood in conversation with Dayna Tortorici and Charles Petersen
March 8, 2021
So are you saying, common victimhood? Is that what it is?
— You know Cody is pretending to be an outsider artist.
— I know! Anyway, this guy, Phoebe’s husband, was like, how did you get this, and I was like, I used to hang out with these people, and he was like, oh yeah I knew them, or this circle of people, and then it came out that the person he knew best was Cody. And he just said it like that, “Cody Garrison.” And I think I had given some generic version of the story in which I said I used to be married to someone who was close to Oren Droste. And after the guy said Cody Garrison, I was like, yes, that’s the person I used to be married to. And the guy was like, oh. He sort of didn’t know what to say.
March 3, 2021
Mel Chin, Aruna D’Souza, Hyperlink Press, and Patrick Jaojoco in conversation with Daisy Nam and Christopher K. Ho
December 23, 2020
On virtual Archtober
When I get tired I stop at an awning above a tall sidewalk table and an unopened Corona, thinking I’m at a bar. It turns out to be a barber shop, but the man inside insists I sit down as long as I like, and even lets me drink his Corona. The sidewalk is uneven, and this particular stretch of Flatbush is dusty and empty. The awning is not a particularly attractive color, nor does it really sit in my memory. But it was not created to be looked at; it was created to be used, and it was.
November 28, 2020
I realized I could no longer discount my feelings
Sometimes you could see where someone had fingernailed away the successive stickers to confirm the original discounted price, in the service of some private calculation or intimate feeling. In this peeling, there was some kind of retracing of the chain of events in capital and carbon that had accumulated into the original prices: cost of material extraction, cost of the labor of manufacture, cost of shipping, cost of marketing—plus obsolete speculation about what the market would bear on top of that.