Film Review

An irregular online film supplement edited by A. S. Hamrah.

<i>Slacker</i> at Twenty

Slacker at Twenty

Slacker, though often canonized as a portrait of 1990s youth culture, is at root a local film. It was shot and produced entirely in Austin with local non-actors and musicians like the Butthole Surfers’ drummer Teresa Taylor. The fictionalized, documentary-style film doesn’t have a plot or recurring characters.

Apichatpong “Joe” Weerasethakul

Apichatpong “Joe” Weerasethakul

If Weerasethakul’s movies are everything I think they are—mysterious, haunting, inventive—in a word, good—why do they make me fall asleep?

These are very slow, irruptively weird movies, where ugly faces break spontaneously into gorgeous, toothy grins and no one screams and runs away when a monkey-man shows up to dinner. Weerasethakul’s films present a challenge to the normal grammar of criticism, which strives to articulate what a work is “about.” What they are “about” is less interesting than what they are about to get into, or turn into.