In honor of A. S. Hamrah’s The Earth Dies Streaming—out this month from n+1—Metrograph will screen John Carpenter’s Ghosts of Mars in 35mm. Hamrah will introduce the film, which he describes as “a late work of the 20th century, haunted by the encroaching pixel horde of digital cinema.” After the screening, he will sign copies of The Earth Dies Streaming, which will be available for purchase. Tickets are $15.
Saturday, November 10
7 Ludlow Street
New York, NY 10002
Tickets via Metrograph.
Praise for The Earth Dies Streaming
“A. S. Hamrah’s criticism is hilarious, irreverent, full of passionate and ingeniously defended judgments. He can be relied upon to push things to a point of delightful perversity, which is part of what makes his work so fun (truly fun) to read. But he is also up to something subversive and political: his work brilliantly torpedoes the tedious conventions, commodifications, and clichés of the corporate entertainment complex.”
“A. S. Hamrah rides into film-crit town like The Man With No Name, delivering rough justice. He tells the truth, mordantly and precisely, and is witty, engaging, and painfully accurate whether he is trashing some Hollywood parade float or salvaging a zero-budget foreign independent nobody else bothered to see. His book manages to be at once chillingly ominous and just optimistic enough for our grim time.”
“A. S. Hamrah’s writing on film is a delight. I don’t know anyone else who does roundups like that, where he goes through like ten movies and it always feels cumulative and hilarious and somehow life-affirming, like everyone is unwittingly—some less wittingly than others—working through the same problems facing film-producing civilizations at the moment. Like all the best criticism, The Earth Dies Streaming makes art and life feel less lonely.”
“Finally, a collection from A. S. Hamrah, a film critic who qualifies as an auteur—formally creative, convention-busting, and always insightful. Reading Hamrah on movies is almost always better than seeing the actual movies themselves.”
“Renata Adler once described the best film critics as those ‘without reverent or consistent strategies,’ who put movies ‘idiosyncratically alongside things they cared about in other ways.’ A. S. Hamrah does exactly that in every piece in this tonic collection.”