Paul Grimstad

All articles by this author

Relating to or Resembling a Peacock

Relating to or Resembling a Peacock

Recent and not-so-recent music

There is perhaps no working musician in whose case the asymmetry between critical accolades and actual musical content is so steep and acute, and so misleading. Stephin Merritt’s music is flat, gray, unmemorable, and “melodic” only in most contrived sense; his melodies seem to scream “I am writing a song in a usually disposable medium that is usually meant for mere entertainment but I am smart and special and this is meant to be real art.”

Never a Hippie, Always a Freak

Never a Hippie, Always a Freak

“They write about me like I’m a maniac. I’m not . . . I’m forty years old, I’ve got four kids, a house, and a mortgage.”

When Zappa shows up in a suit and tie debating Robert Novak on Crossfire, the effect is less the ’60s freak who became a normal adult than an uncompromising individual voice channeled into a different format.

On Robert Ashley

On Robert Ashley

The sound of Americans talking to each other, or talking to themselves

In 1981, promotional ads for something called “Music Television” started hitting in the US with the tagline: “You’ll never look at music the same way again.” Around the same time appeared a pilot video for something called Perfect Lives: A Television Opera by American composer Robert Ashley. Ashley was light-years from the video hit parade of MTV, but he too wanted to make music television.

Relating to or Resembling a Peacock

Relating to or Resembling a Peacock

Recent and not-so-recent music

There is perhaps no working musician in whose case the asymmetry between critical accolades and actual musical content is so steep and acute, and so misleading. Stephin Merritt’s music is flat, gray, unmemorable, and “melodic” only in most contrived sense; his melodies seem to scream “I am writing a song in a usually disposable medium that is usually meant for mere entertainment but I am smart and special and this is meant to be real art.”

Never a Hippie, Always a Freak

Never a Hippie, Always a Freak

“They write about me like I’m a maniac. I’m not . . . I’m forty years old, I’ve got four kids, a house, and a mortgage.”

When Zappa shows up in a suit and tie debating Robert Novak on Crossfire, the effect is less the ’60s freak who became a normal adult than an uncompromising individual voice channeled into a different format.

On Robert Ashley

On Robert Ashley

The sound of Americans talking to each other, or talking to themselves

In 1981, promotional ads for something called “Music Television” started hitting in the US with the tagline: “You’ll never look at music the same way again.” Around the same time appeared a pilot video for something called Perfect Lives: A Television Opera by American composer Robert Ashley. Ashley was light-years from the video hit parade of MTV, but he too wanted to make music television.