William Flesch

All articles by this author

On Harold Bloom

1930–2019

This was one of Bloom’s gifts, to hear in any single work many voices. Poems were not themselves. A voice was not just one voice. And Bloom as Falstaff was not Bloom either, only a mask, a shadow: “I call to the mysterious one who yet / Shall walk the wet sands by the edge of the stream / And look most like me, being indeed my double, / And prove of all imaginable things / The most unlike, being my anti-self, / And standing by these characters disclose / All that I seek”—that’s Yeats, whose theory of antithetical characters was one of the sources to Bloom’s Anxiety of Influence.