These are very slow, irruptively weird movies, where ugly faces break spontaneously into gorgeous, toothy grins and no one screams and runs away when a monkey-man shows up to dinner. More…
Must a 3D movie be seen in 3D? Is a movie with both a 3D and a 2D release the same movie or two different movies? The “high” and “low” culture divide that is emerging—with Thor and The Green Hornet on one side, and Avatar and Werner Herzog on the other—seems to track along these very lines. More…
Last February, I went to a screening of a film I love, Chantal Akerman’s Jeanne Dielman. In Jeanne Dielman, a middle-class Belgian single mother and part-time prostitute (she stays at home for that, too) spends two-hundred minutes doing dull housework and then stabs one of her clients to death with scissors. It’s a long haul. More…
It takes some work to make people into wildlife. Nature shows, for starters, have narration. They are shot from the perspective of the scientist, or the tour guide, or the hunter—some human spectator. Babies does the reverse. It takes away the linguistic meaning “natural” to human life, transforming it into a mere sound, pleasant as a rushing stream or a whistling wind. More…
Stephanie Meyer has said that the idea for the Twilight series came to her in a dream, but it may as well have come to her in a graduate seminar. There are, after all, few other contexts where so much cultural baggage comes together under the sign of so many backpacks. More…
Britney came to us like an overgrown mouseketeer, managed by pedophilic hacks who liked the lingering close-ups on her teary eyes and seemed to think of Ace of Base as the pinnacle of dance pop. I remember sparring with my male friends about Schoolgirl Barbie Britney. She’s not beautiful, I protested, not weird-looking or off-kilter in any way. More…